Art

Good News, New Stuff and Things to Share

First, the good news. Start­ing June 21st I will no longer be unem­ployed! After more than 8 months of incon­sis­tent income, over­whelm­ing stress and gen­eral eco­nomic slumps — I will rejoin the work­ing class. Awe­some, and I have 3 weeks off until then to work on odds and ends with­out dwelling on the future.

I put up this weeks mix­tape. You can lis­ten to it, or down­load it on the side­bar to the right. Um, the lan­guage is NSFW. But so is leav­ing the win­dow open. I guess try it out with head­phones first before you start a dance party in the office. This will be a weekly thing, unless I find it to be too much to keep up on. For now, no prob­lem on that front. Enjoy.

30 Days of Cre­ativ­ity starts today. I made a mix to kick things off. I have a few ideas in my head and sketch pad that I am going to try and get more devel­oped. One of them includes a remodel exper­i­ment for my family’s house down in Flo­rence, Ore­gon.  It’s a really great mid-century ranch style house. Some other things will show up here before or after that. This 30 day project will be my moti­va­tion to really kick my port­fo­lio into high gear.

30 Days of Cre­ativ­ity is a social ini­tia­tive encour­ag­ing peo­ple to cre­ate stuff, any­thing, every day for 30 days.

This is your excuse to buy that tub of Play­dough, unbox your Erec­tor set, or dust off your Holga. You might be work­ing on one huge project for 30 days straight. Maybe you are cre­at­ing some­thing new thing every day. (That’s the best way to par­tic­i­pate!) It could be as sim­ple as tak­ing a pic­ture of your out­fit for 30 days to some­thing as involved as a writ­ing a song or mak­ing a movie every day.” — MAKE Mag­a­zine Blog

#30daysofcreativity — A How To Guide from 30 Days of Cre­ativ­ity on Vimeo.

Finally, some­thing to share. I’ve been try­ing to share at least one project/design a week that inspires me. Today I am shar­ring the Palmyra House located in Nandgaon, Maha­rash­tra, India. This has been fea­tured on a few archi­tec­ture blogs. So it may look famil­iar. It was designed by Stu­dio Mum­bai Archi­tects.

What I like most about it is the inte­rior use of very dark and rich woods, along with nat­ural stone and con­crete ele­ments. It has a strong tex­tural aes­thetic — almost rough look­ing. Still though, the end expe­ri­ence that I observed from the images it that the the house has a quiet and soft feel­ing. The house has great East­ern Asian design ele­ments as well, to unify the mod­ern design with tra­di­tional fin­ishes. More images and obser­va­tions are avail­able over at Con­tem­po­rist.


Check, check it out!

Oh, I want these! These are Lim­ited Edi­tion skate decks by artist Ian John­son. Fea­tur­ing illus­tra­tions of five of the world’s great­est Jazz Musi­cians. Made by West­ern Edi­tion.

The Miles ‘59 series is an homage to the orig­i­nal band that cre­ated the epic record­ing “Kind of Blue” 50 years ago this year. -Rad Col­lec­tor

Ian John­son has some other amaz­ing work up on his site, to check out. Some­one hire me so I can pick these up.

GOOD.is has posted a really cool project, in which they asked peo­ple to cre­ate a flag that rep­re­sents their neigh­bor­hood. There are some Port­land neigh­bor­hoods in there, as well as many more really solid designs. I love the Rose­way flag. Check it out.


Still Keeping On

I’ve been busy lately, which is why noth­ing new has gone up here recently. So what have I been up to? Work. Just as I typed my desire for work, sit­u­a­tions present themselves.

First, I’ve been fin­ish­ing up some revi­sions for the Whole Foods project I was work­ing on last month. Sec­ondly, I’ve had the oppor­tu­nity to work on restor­ing a 1890’s era house that a friend of mine pur­chased. No design work though, just good ol’ back break­ing labor! This is turn­ing out to be a very reward­ing and edu­ca­tional project, work­ing close with the Gen­eral Con­trac­tor and ask­ing ques­tions on the blood and guts of a restora­tion project from the man build­ing it. They didn’t teach me this stuff in school, and a good deal of this expe­ri­ence should go toward help­ing me be a bet­ter designer. The bad part is there isn’t much work left that I can do.

Last week I had another inter­view with Net­flix for a call cen­ter posi­tion. I found out today they went another direc­tion, which I guess has a pos­i­tive out­come. I needed more expe­ri­ence inter­view­ing, cause I know I don’t make the best first impression.

So well, it’s back to the grind of Craigslist and the land of lost resumes. Hey, at least I can pay half my bills this month. Right? The ques­tion is though, what the hell am I qual­i­fied to do now? It seems all I hear back is I am overqual­i­fied for the oppor­tu­ni­ties avail­able at the moment. The work I do want, which I am qual­i­fied for isn’t avail­able because of the great eco­nomic slump we are in. Even then, I am only entry level at this point and there is bet­ter expe­ri­ence in the tal­ent pool right now. Meh.

On to other stuff, and what my fel­low peers in the unem­ployed design­ers sub­cul­ture have been up to…


My friend Colin just fin­ished his book Pedes­trian. It can be pur­chased here. Colin is my typog­ra­phy and design critic, who has count­less times torn apart my own attempts at graphic and print media. And I lis­ten and respect every nag he has about my work because of things like this. Pedes­trian is a very strong mixed media project.

How about some music? I want to start a pod­cast of sorts called “Per­ma­nent Solu­tion”, I’ll try and dis­ci­pline myself to get that going this week­end. Mean­while, I’ve been lis­ten­ing to the release by Cast Spells titled “Bright Works and Baton”. This is a track off that called “A Badge”. Cool.

Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Down­load the lat­est ver­sion here. You also need to have JavaScript enabled in your browser.


Coolness achieved

The Guggenheim’s Wright Restaurant
How cool is this? The Guggen­heim’ Wright Restau­rant opens today, and I wish I was there to see it.

From the NY Times article.

…exactly as Frank Lloyd Wright him­self would have wanted it: among the 400 draw­ings he made for the 1959 build­ing, a few were devoted to a ground-floor din­ing space, though not one par­tic­u­larly suited to a con­tem­po­rary audi­ence. “The lay­out was very sim­ple, almost monas­tic, with clus­ters of tables aligned with the port­holes,” said the archi­tect Andre Kikoski, who designed the restau­rant. But, as he explained, “it wasn’t con­ducive to social inter­ac­tion, and it cer­tainly wasn’t about the inte­gra­tion of art.” Rather than exe­cut­ing Wright’s orig­i­nal sketches, Kikoski turned the space — most recently a generic cafe­te­ria with brown car­pet­ing — into a mod­ern homage to the leg­endary archi­tect, who designed the museum to har­mo­nize with the art­work within.”

Read all about it here — The Guggen­heim’ Wright Restaurant

Postpanic Amsterdam

This is equally amaz­ing. How cool would it be to work in this office? This is a design by Mau­rice Men­t­jens Design, based in Hol­tum, the Nether­lands — designed for Post­panic an ani­ma­tion and design studio.

The link to this is here -Cool Hunter

(more…)


Weekend manifest

So things around here are about 95% done. I’ve done quite a bit of work over the past week. I just have some fine tun­ing and var­i­ous small tweaks left to do. I cre­ated a new logo this morn­ing and a new back­ground ear­lier in the week. The Port­fo­lio page is up, but needs some changes to the func­tion and inter­ac­tion of the images, and some more sta­tic images.

This isn’t a sports blog, so I will spare my opin­ion on a few things. But, I have to say — it is hard to be a Blazer fan. I am not a huge “luck” guy, I think that good things come from good deci­sions. How­ever, when your coach is injured some­thing isn’t right. It will be inter­est­ing to see how this team bounces back from all the injuries. New York is show­ing it’s pos­si­ble to play well well with lim­ited resources, and this Blazer team has bat­tled back and shown tough­ness in the past. I’m still a Blazer fan, and I don’t see that chang­ing any­time soon. I just wish it would be a lit­tle easier.

This is a print by Vasco Mourao, only 10 were made. I would be stoked to get my hands on one of them. I love the depth and weight of it. I must of spent a half hour just star­ring at it. The print is I bet quite a mind blow­ing visual experience.es 4

I still have about a days worth of work left at CDS. I’ve been doing SketchUp work for a Whole Foods store pro­posal in Cal­i­for­nia. If they like it there might be more work for me. It feels great doing some­thing that I have fun with. If I can I’ll post some ren­der­ings of the store.

One quick rant: I really wish the Food Net­work had a veg­e­tar­ian show. I am a huge Food Net­work fan, but it really lacks veg­e­tar­ian pro­gram­ming. What would it take to get a well pro­duced, fun veg friendly pro­gram? Please?